About the Program
Dates: July 15-21
Students age 18-25 (age 15-25 for double bass)
An intensive week of master classes, chamber music coaching, reading sessions, and orchestral rehearsals leading to a performance in world-renowned Severance Hall, home of the Cleveland Orchestra. The program for the final concert will include:
Copland: Fanfare for the Common Man
Bach Brandenburg Concerto No. 4
Tchaikovsky Symphony No. 5
Service Projects
| As an important part of Credo's mission of service, students devote each Thursday to a variety of service activities. They share their special musical gifts in concerts at day-care centers, Oberlin summer educational programs, nursing homes, and prisons (for pre-professional/college students). They also experience the joy of accomplishment in such tasks as park site preparation, cleaning homeless shelters, and community beautification projects. Each service day offers an opportunity for faculty and students to connect outside the confines of the practice room, and to develop a life-long passion for serving others with our art and being. | ![]() |
Click here to watch a video about Credo's service projects.
Credo Faculty
The acclaimed Credo Faculty come to Credo from many of the leading music schools and orchestras across the county. Together they create the (often life-changing!) Credo experience.
Alan Barnhill, Principal Trombone, Houston Symphony Orchestra
Bonita Boyd, Professor of Flute, Eastman School of Music
Mark Butin, former Principal Viola, Honolulu Symphony
Peter Dominguez, Principal Bass, American Sinfonietta, faculty, Oberlin Conservatory
Charlie Geyer, Professor of Trumpet, Northwestern University
James Howsmon, Professor of Collaborative Piano, Oberlin Conservatory
Lisa-Beth Lambert, Violin, Philadelphia Orchestra
Marilyn McDonald, Concertmaster, Smithsonian Chamber Orchestra, faculty, Oberlin Conservatory
Rene Schiffer, Principal Cellist, Appollo’s Fire
Peter Slowik, conductor, Oberlin Conservatory of Music
Michael Wilder, clarinet, Dean of Wheaton Conservatory
Master Classes with:
Alan DeMattia, french horn, Cleveland Orchestra
Barry Stees, bassoon, Cleveland Orchestra
Click here for a complete list of Credo's faculty
Admission to the Program
Admission to Credo is made by “rolling admission,” with earlier applications having a greater likelihood of finding compatible chamber music partners and therefore being accepted into the program.
Click here for more Admissions information as well as the online application.
Facilities
While in residence at Oberlin's world-renowned Conservatory of Music, students enjoy excellent rehearsal, coaching and practice facilities, a celebrated music library collection, and many recreational opportunities offered on Oberlin's park-like campus. It's a wonderful location to focus and grow.
Sun-filled practice rooms are never hard to find- the Conservatory has over 150 practice rooms, all with floor to ceiling windows and many equipped with full-size Steinway pianos.
The final concert will take place in sumptuous Severance Hall, one of North America's most acoustically satisfying halls, and year-round home to the Cleveland Orchestra.
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“Whatever is true, whatever is noble, whatever is right, whatever is pure, whatever is lovely,
whatever is admirable — if there is anything excellent or praiseworthy — think about such things.”
Philippians 4:8



